I’ve been deathly ill this weekend, but doing this reading was a highlight. My entire Saturday night morphed into a Paul Lansky jam out, drinking bone broth under a heated blanket and imagining learning how to tell my own narrative. Long stretches of monotonous atmospheric silence, interjected with random bursts of emotional music, matching the tone of the conversations I overhear from my room, people on the path underneath my window in Toyon come in so crystal clear, I’ve heard dissonant snippets of gossip, laughter, and tearful breakups. The ability to turn everyday noises into harmonizable sounds for musical arrangements with comb filters is such an exciting concept! I’d like to run voices through these filters and have a bunch of people talking, to crescendo into a peaceful buzz that fades off, like a zen-humanoid version of the THX deep note. I was also reminded of one of my favorite childhood movies,
Week 4: Programmability and Sound Design
Week 4: Programmability and Sound Design
Week 4: Programmability and Sound Design
I’ve been deathly ill this weekend, but doing this reading was a highlight. My entire Saturday night morphed into a Paul Lansky jam out, drinking bone broth under a heated blanket and imagining learning how to tell my own narrative. Long stretches of monotonous atmospheric silence, interjected with random bursts of emotional music, matching the tone of the conversations I overhear from my room, people on the path underneath my window in Toyon come in so crystal clear, I’ve heard dissonant snippets of gossip, laughter, and tearful breakups. The ability to turn everyday noises into harmonizable sounds for musical arrangements with comb filters is such an exciting concept! I’d like to run voices through these filters and have a bunch of people talking, to crescendo into a peaceful buzz that fades off, like a zen-humanoid version of the THX deep note. I was also reminded of one of my favorite childhood movies,